He wanted to shoot it in black and white. Then, Ivan, he’d been out to Coober Pedy and he’d taken images and he was playing with them in black and white. We played around with it, made some changes to make it stronger and more potent. He sent me the scripts about eight months to a year before we started shooting. What was your reaction when Ivan Sen told you the film would be shot in black and white? Did it alter your performance in any way? (In reviews his performance has been called “transcendent” and “never better”.)īroadsheet spoke to Baker about his performance in Limbo, his relationship with director Ivan Sen and what it was like to film in one of Australia’s most remote towns.Īnswers have been edited for length and clarity. The film highlights the reality of injustices faced by Indigenous communities and features a mighty and career-best performance by Baker. It’s a visually striking film with beautifully composed wide-angle shots and dramatic sweeping vistas caught by drones. Written, directed, composed and produced by Ivan Sen ( Beneath Clouds, Mystery Road), the film is an outback neo-noir film – shot in black and white – but it’s far from a straightforward “whodunit”. Limbo is a film that gravitates towards the grey areas of life, pressing on bruises and picking at the things we’d rather keep buried. Travis moves through town, spending time with Charlotte’s deeply fractured surviving family – her siblings Charlie (Rob Collins) and Emma (Natasha Wanganeen) and their children – as well as searching for answers from Joseph (Nicholas Hope), the ailing brother of the long-dead chief suspect, who seems to know more than he’s letting on. It’s a mystery Travis has no intention of solving but, as he finds himself stranded in Limbo with little to fill his days besides an incomplete case file (and his own demons), things begin to reveal themselves. Travis, a jaded detective played by Simon Baker, has been sent to the remote mining town of Limbo on a fool’s errand – to investigate the cold case disappearance of Charlotte Hayes, a local Indigenous girl who’s been missing for 20 years. Like most good westerns, Limbo begins when a stranger rolls into town.
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